In The Dark, We Lose Our Edges
       
     
Projects / In The Dark, We Lose Our Edges
Walk With Me
       
     
Projects / Walk With Me
The 3rd Precinct Burns in Minneapolis Ink and graphite on paper HOW TO MOVE AROUND COPS- FOR PRETEENS Being a big kid I was told incessantly, as if I didn’t hear the first forty times, how to move in the presence of police.
       
     
Projects / QUARANTINE
WHEN MONUMENTS FALL
       
     
Projects / When Monuments Fall
REDSHIFT
       
     
Projects / REDSHIFT
Fathom ,  2017 Installation with 6 chandeliers, rubber inner tubes, wooden pallets. Variable dimensions
       
     
Projects / Zulu Time
Installation view:  What Endures , 2016 What Endures  investigates the gesture of dance as a symbol of persistence and resilience amidst the economic downturn and global social upheaval. The focal point of the exhibit,  Just Bec
       
     
Projects / What Endures
Detail: I Knew You Before You Was Born , 2016 Wood, brass, glass walking canes, foot stool, faux pearls. 13 feet 7 inches x 5 feet x 1 foot 7 inches Solastalgia  was an exhibition comprised of large-scale sculptures, serigraphs and pai
       
     
Projects / Solastalgia
Installation View: What’s Left to Burn , 2015 What's Left to Burn?  features a series of serigraphs, a 25 foot sculpture comprised of interlocking platforms,  and a single channel video that was filmed on the sculpture at The Bindery P
       
     
Projects / What's Left to Burn
Untitled from the Blind Sum series, 2014 Giclée print 24 x 36 inches Blind Sum is a collection of long exposure photographs inspired by dance marathons of the 1930s. These endurance contests would often last several weeks or even mon
       
     
Projects / Blind Sum